{"title":"Clairefontaine","description":"Clairefontaine has been making paper in the Vosges region of France since 1858, drawing on pure local river water that remains essential to clean paper production. Over 165 years later, the mill and the finished stationery are still made under the same roof — one of the last European manufacturers to keep the full process in-house.\u003cbr\u003e\u003cbr\u003eThe brand is best known among artists for its specialist surfaces — particularly Pastelmat, the benchmark paper for soft pastel layering, and PaintON, a 250 g\/m2 multi-technique stock that handles acrylics, gouache, ink, and dry media without buckling. Available across multiple paper tones including White, Grey, Natural, Black, and Denim Blue. All paper is sourced from PEFC-certified forests and produced using chlorine-free processes.","products":[{"product_id":"clairefontaine-paint-on-multi-techniques-black-pad-a3-250g-20-sheets","title":"Clairefontaine Paint-ON Multi-Techniques Black Pad A3 250g 20 sheets","description":"Twenty sheets of mass-dyed 250 g\/m² black cellulose paper in a large studio format — thick enough to behave like mat board, staying flat under moderate to heavy wet media. Fine grain face for pastels, charcoal, and dry media, smooth reverse for paint markers, acrylic brush pens, and fineliners. Top-glued, acid-free, PEFC certified.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A3 — 20 sheets — 250 g\/m² 100% cellulose\u003c\/li\u003e\n\u003cli\u003eColoration: Mass-dyed solid black — acid-free, uniform through full thickness\u003c\/li\u003e\n\u003cli\u003eMedia: Acrylic, gouache, metallic ink, white ink pen, paint marker, soft pastel, colored pencil\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779190358365,"sku":"3329689751704","price":215.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Black-Pad-A3-250g-20-sheets_All_1663_10.jpg?v=1722285599"},{"product_id":"clairefontaine-paint-on-multi-techniques-black-pad-a4-250g-20-sheets","title":"Clairefontaine Paint-ON Multi-Techniques Black Pad A4 250g 20 sheets","description":"The Clairefontaine Paint-ON Black A4 is a professional heavyweight black paper pad for daily dark-surface illustration, typography, and mixed-media design work. The 250 g\/m² cellulose stock is mass-dyed through the full sheet thickness — the black is completely solid and uniform, with no white edges when cut and no surface flaking under erasing or heavy media application. At this weight the paper handles wet acrylic washes, gouache layers, and metallic lettering on the same sheet without tearing, pilling, or distorting, making it genuinely multi-technique rather than just a tinted drawing paper.\u003cbr\u003e\u003cbr\u003eThe dual-sided surface gives a fine grain face for pastels, charcoals, and highlighting pencils, and a smooth reverse for paint markers, white ink pens, and metallic calligraphy gel pens. A4 format suits portfolio entries, student assignments, and daily studio work equally well. Top-glued binding for fray-free sheet separation. Acid-free, pH-neutral, PEFC certified.\u003cbr\u003e\u003cbr\u003eTechnical Details\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A4 — Sheet count: 20\u003c\/li\u003e\n\u003cli\u003ePaper weight: 250 g\/m²\u003c\/li\u003e\n\u003cli\u003ePaper composition: 100% cellulose\u003c\/li\u003e\n\u003cli\u003eColoration: Mass-dyed solid black — acid-free, pH-neutral, UV stable\u003c\/li\u003e\n\u003cli\u003eSurface: Dual-sided — fine grain one side, smooth the other\u003c\/li\u003e\n\u003cli\u003eBinding: Top glued — fray-free sheet separation\u003c\/li\u003e\n\u003cli\u003eRecommended media: Paint marker, white ink pen, metallic calligraphy gel pen, watercolor, gouache, pastel, highlighting pencil\u003c\/li\u003e\n\u003cli\u003eCertification: PEFC certified — acid-free, pH-neutral\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eCommon Questions\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhat is the advantage of mass-dyed black paper over surface-printed black paper?\u003c\/strong\u003e Mass-dyed paper is colored throughout the entire pulp during manufacturing — the black is consistent from surface to core. Surface-printed black paper has a coating applied on top which can scratch off, show white at cut edges, and wear unevenly under erasing or heavy media. The Paint-ON Black uses mass-dyeing for a fully stable, uniform result.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan this pad handle both wet and dry media in the same piece?\u003c\/strong\u003e Yes. The 250 g\/m² weight provides enough structural rigidity to handle wet acrylic washes and gouache layers alongside dry pastel and pencil work on the same sheet without significant warping or surface breakdown.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhich side is best for metallic ink and calligraphy work?\u003c\/strong\u003e The smooth reverse face is optimized for ink-based tools — metallic calligraphy gel pens, white ink pens, and fine paint markers all flow cleanly without feathering or tip wear on the smooth surface.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779194290525,"sku":"3329689751698","price":132.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Black-Pad-A4-250g-20-sheets_All_1662_10.jpg?v=1722285610"},{"product_id":"clairefontaine-paint-on-multi-techniques-black-pad-a5-250g-20-sheets","title":"Clairefontaine Paint-ON Multi-Techniques Black Pad A5 250g 20 sheets","description":"A compact travel-ready black paper pad with the same mass-dyed 250 g\/m² cellulose stock as the larger Paint-ON Black formats. Stays flat under gouache, acrylic, and heavy markers in the field. Fine grain face for pastel and pencil work, smooth reverse for ink and paint markers. Top-glued, acid-free, PEFC certified.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A5 — 20 sheets — 250 g\/m² 100% cellulose\u003c\/li\u003e\n\u003cli\u003eColoration: Mass-dyed black — acid-free, uniform through full thickness\u003c\/li\u003e\n\u003cli\u003eMedia: Travel gouache, acrylic marker, white ink pen, metallic fineliner, chalk, sketching pencil\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779198648669,"sku":"3329689751681","price":75.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Black-Pad-A5-250g-20-sheets_All_1661_10.jpg?v=1722285621"},{"product_id":"clairefontaine-paint-on-multi-techniques-gris-pad-a3-250g-30-sheets","title":"Clairefontaine Paint-ON Multi-Techniques Gris Pad A3 250g 30 sheets","description":"Thirty sheets of mass-dyed 250 g\/m² grey cellulose paper in a large studio format. The neutral grey mid-tone works as a built-in value anchor — deep shadows and bright highlights read with immediate three-dimensional clarity without any base layer preparation. Handles wet acrylics, liquid inks, and heavy markers without buckling. Fine grain face for charcoal, chalk, and dry media, smooth reverse for fineliners and paint markers. Top-glued, acid-free, PEFC certified.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A3 — 30 sheets — 250 g\/m² 100% cellulose\u003c\/li\u003e\n\u003cli\u003eColoration: Mass-dyed neutral grey — acid-free, solid through full thickness\u003c\/li\u003e\n\u003cli\u003eMedia: Acrylic, gouache, watercolor, drawing ink, paint marker, soft pastel, chalk, shading pencil\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779202089309,"sku":"3329689758109","price":270.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Gris-Pad-A3-250g-30-sheets_All_1325_10.jpg?v=1722285632"},{"product_id":"clairefontaine-paint-on-multi-techniques-gris-pad-a4-250g-30-sheets","title":"Clairefontaine Paint-ON Multi-Techniques Gris Pad A4 250g 30 sheets","description":"The Clairefontaine Paint-ON Gris A4 is a professional heavyweight grey paper pad for daily illustration, portrait work, graphic design, and typography. The neutral grey tone is mass-dyed directly into the pulp during production — solid and uniform through the full sheet thickness, with no white edges when cut and no surface degradation under erasing or heavy media. The pre-established mid-tone shifts the way colors read on the surface: shadows deepen immediately with charcoal or dark ink, highlights pop instantly with white gel pen or gouache, and mid-tone colors appear with more saturated energy than they would on white paper.\u003cbr\u003e\u003cbr\u003eThe 250 g\/m² cellulose stock handles heavy erasing, scratching, and fluid layering without tearing or pilling. Dual-sided surface — fine grain face for charcoal, pastels, and pencil work, smooth reverse for ink pens, acrylic markers, and calligraphy gel pens. Thirty sheets in the standard A4 format for portfolio entries, student assignments, and daily studio work. Top-glued for fray-free sheet separation. Acid-free, pH-neutral, PEFC certified.\u003cbr\u003e\u003cbr\u003eTechnical Details\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A4 — Sheet count: 30\u003c\/li\u003e\n\u003cli\u003ePaper weight: 250 g\/m²\u003c\/li\u003e\n\u003cli\u003ePaper composition: 100% cellulose\u003c\/li\u003e\n\u003cli\u003eColoration: Mass-dyed neutral grey — acid-free, pH-neutral, UV stable\u003c\/li\u003e\n\u003cli\u003eSurface: Dual-sided — fine grain one side, smooth the other\u003c\/li\u003e\n\u003cli\u003eBinding: Top glued — fray-free sheet separation\u003c\/li\u003e\n\u003cli\u003eRecommended media: Fine ink pen, acrylic paint marker, white calligraphy gel pen, watercolor, gouache, charcoal, pastel\u003c\/li\u003e\n\u003cli\u003eCertification: PEFC certified — acid-free, pH-neutral\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eCommon Questions\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhat is the practical advantage of working on grey paper versus white?\u003c\/strong\u003e The neutral grey acts as a pre-established mid-tone, meaning shadows and highlights are immediately readable without laying down a base layer first. This significantly speeds up value-based drawing and makes tonal contrast more intuitive — particularly for portrait work, urban sketching, and high-contrast illustration.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIs the grey coloration stable under wet media and UV exposure?\u003c\/strong\u003e Yes. The mass-dyed process runs the grey tone uniformly through the full sheet thickness during pulp production. The acid-free, pH-neutral formula is UV stable, meaning the grey tone will not shift, yellow, or fade over time under normal display conditions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan this pad handle both wet and dry media on the same sheet?\u003c\/strong\u003e Yes. The 250 g\/m² weight provides enough structural rigidity to handle wet gouache, acrylic washes, and liquid ink alongside dry charcoal and pastel on the same sheet without significant warping or surface breakdown.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779205923165,"sku":"3329689758093","price":155.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Gris-Pad-A4-250g-30-sheets_All_1326_10.jpg?v=1722285643"},{"product_id":"clairefontaine-paint-on-multi-techniques-gris-pad-a5-250g-30-sheets","title":"Clairefontaine Paint-ON Multi-Techniques Gris Pad A5 250g 30 sheets","description":"A compact travel-ready grey paper pad with the same mass-dyed 250 g\/m² cellulose stock as the larger Gris formats. The neutral mid-tone works immediately for contrast-based sketching without any base layer setup — solid under heavy markers, gouache, and watercolor in the field. Fine grain face for pencil and charcoal, smooth reverse for ink and paint markers. Top-glued, acid-free, PEFC certified.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A5 — 30 sheets — 250 g\/m² 100% cellulose\u003c\/li\u003e\n\u003cli\u003eColoration: Mass-dyed neutral grey — acid-free, uniform through full thickness\u003c\/li\u003e\n\u003cli\u003eMedia: Travel gouache, watercolor, opaque paint marker, white ink pen, metallic fineliner, charcoal, sketching pencil\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779210281309,"sku":"3329689758086","price":79.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Gris-Pad-A5-250g-30-sheets_All_1327_10.jpg?v=1722285654"},{"product_id":"clairefontaine-paint-on-multi-techniques-naturel-pad-a3-250g-30-sheets","title":"Clairefontaine Paint-ON Multi-Techniques Naturel Pad A3 250g 30 sheets","description":"Thirty sheets of mass-dyed 250 g\/m² sand-toned cellulose in a large studio format. The warm natural buff mid-tone works as a built-in value anchor for portrait, botanical, and earth-toned illustration work — charcoal and dark ink drop into shadow immediately, white chalk and gouache lift into highlight without any base layer preparation. Handles wet acrylics, heavy inks, and gouache without buckling. Fine grain face for dry media, smooth reverse for fineliners and markers. Top-glued, acid-free, PEFC certified.\u003cbr\u003e\u003cbr\u003eFormat: A3 — 30 sheets — 250 g\/m²\u003cbr\u003eSurface: Dual-sided — fine grain front, smooth reverse — mass-dyed natural tan, acid-free\u003cbr\u003eMedia: Acrylic, gouache, watercolor, drawing ink, paint marker, soft pastel, chalk, shading pencil","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779214704989,"sku":"3329680965414","price":235.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Naturel-Pad-A3-250g-30-sheets_All_1106_10.jpg?v=1722285664"},{"product_id":"clairefontaine-paint-on-multi-techniques-naturel-pad-a4-250g-30-sheets","title":"Clairefontaine Paint-ON Multi-Techniques Naturel Pad A4 250g 30 sheets","description":"The Clairefontaine Paint-ON Naturel A4 is a heavyweight sand-toned paper pad for daily illustration, life drawing, botanical art, and graphic design work. The warm natural buff tone is mass-dyed directly into the pulp — solid and uniform through the full sheet thickness, with no white edges when cut and no surface wear under heavy erasing or wet media. The organic background shifts how colors read on the page: cool tones gain warmth, earth shades feel grounded and immediate, and white highlights pop with a luminosity that white paper simply cannot replicate as a starting point.\u003cbr\u003e\u003cbr\u003eThe 250 g\/m² cellulose stock handles heavy erasing, scratching, and layered wet media without tearing or pilling. Dual-sided surface — fine grain face for charcoal, pastel, and pencil, smooth reverse for ink pens, acrylic markers, and calligraphy gel pens. Thirty sheets in standard A4. Top-glued for fray-free sheet separation. Acid-free, pH-neutral, PEFC certified.\u003cbr\u003e\u003cbr\u003eTechnical Details\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A4 — Sheet count: 30\u003c\/li\u003e\n\u003cli\u003ePaper weight: 250 g\/m²\u003c\/li\u003e\n\u003cli\u003ePaper composition: 100% cellulose\u003c\/li\u003e\n\u003cli\u003eColoration: Mass-dyed natural tan\/sand — acid-free, pH-neutral, UV stable\u003c\/li\u003e\n\u003cli\u003eSurface: Dual-sided — fine grain one side, smooth the other\u003c\/li\u003e\n\u003cli\u003eBinding: Top glued — fray-free sheet separation\u003c\/li\u003e\n\u003cli\u003eRecommended media: Fine ink pen, acrylic paint marker, white calligraphy gel pen, watercolor, gouache, charcoal, pastel, sketching pencil\u003c\/li\u003e\n\u003cli\u003eCertification: PEFC certified — acid-free, pH-neutral\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eCommon Questions\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHow does the sand tone affect color rendering compared to white paper?\u003c\/strong\u003e The warm buff mid-tone shifts the energy of colors applied on top — cool tones pick up warmth, earth shades feel more naturalistic, and light values like white or pale yellow appear more luminous. It also eliminates the need to lay down a mid-tone base before value drawing, which speeds up the compositional process considerably.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIs the coloration stable under prolonged UV exposure?\u003c\/strong\u003e Yes. The mass-dyed process runs the sand tone uniformly through the pulp during production. The acid-free, pH-neutral formula is UV stable — the warm tone will not shift, bleach, or yellow under normal display conditions over time.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan heavy wet media and dry media be combined on the same sheet?\u003c\/strong\u003e Yes. The 250 g\/m² weight handles gouache layers, acrylic washes, and liquid inks alongside charcoal and pastel on the same sheet without significant warping, surface breakdown, or pigment interference.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779221782877,"sku":"3329680965407","price":140.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Naturel-Pad-A4-250g-30-sheets_All_1105_10.jpg?v=1722285675"},{"product_id":"clairefontaine-paint-on-multi-techniques-naturel-pad-a5-250g-30-sheets","title":"Clairefontaine Paint-ON Multi-Techniques Naturel Pad A5 250g 30 sheets","description":"A compact field pad with the same mass-dyed 250 g\/m² sand-toned cellulose stock as the larger Naturel formats. The warm buff mid-tone works immediately for value-based outdoor sketching without base layer setup — buckle-resistant under watercolor, gouache, and heavy markers. Fine grain face for pencil and charcoal, smooth reverse for ink and paint markers. Top-glued, acid-free, PEFC certified.\u003cbr\u003e\u003cbr\u003eFormat: A5 — 30 sheets — 250 g\/m²\u003cbr\u003eColoration: Mass-dyed natural sand — acid-free, uniform through full thickness\u003cbr\u003e\u003cbr\u003eGood to Know\u003cbr\u003e\u003cul\u003e\u003cli\u003e\n\u003cstrong\u003eIs this pad suitable for travel watercolor work?\u003c\/strong\u003e Yes. The 250 g\/m² weight resists buckling under standard travel watercolor washes — a significant advantage over lighter-weight toned papers that warp under even moderate water exposure.\u003c\/li\u003e\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779226763613,"sku":"3329680965391","price":80.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Naturel-Pad-A5-250g-30-sheets_All_1104_10.jpg?v=1722285686"},{"product_id":"clairefontaine-paint-on-multi-techniques-white-pad-a2-250g-40-sheets","title":"Clairefontaine Paint-ON Multi-Techniques White Pad A2 250g 40 sheets","description":"Format: A2 — 40 sheets — 250 g\/m² 100% cellulose\u003cbr\u003eSurface: Dual-sided — fine grain one side, smooth the other — bright white, acid-free\u003cbr\u003eMedia: Heavy acrylic, gouache, watercolor, drawing ink, fineliner, charcoal, soft pastel, colored pencil\u003cbr\u003e\u003cbr\u003eA grand-scale heavyweight white pad engineered for demanding mixed-media work at display size. The 250 g\/m² cellulose stock stays completely flat under heavy wet washes and handles repeated erasing and scraping without pilling or surface breakdown. Top-glued, PEFC certified.","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779231056221,"sku":"3329680965353","price":479.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-White-Pad-A2-250g-40-sheets_All_1103_10.jpg?v=1722285695"},{"product_id":"clairefontaine-paint-on-multi-techniques-white-pad-a3-250g-40-sheets","title":"Clairefontaine Paint-ON Multi-Techniques White Pad A3 250g 40 sheets","description":"Forty sheets of 250 g\/m² white cellulose paper in a large studio format — thick enough to behave like illustration board under heavy wet and dry media. The dual-sided surface gives a fine grain face for charcoal, pastel, and dry blending work, and a smooth reverse for paint markers, fineliners, and ink without tip wear or bleed. Handles scratching, heavy erasing, and overlapping wet layers without tearing or buckling. Top-glued, acid-free, PEFC certified.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e A3 — 40 sheets — 250 g\/m²\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSurface:\u003c\/strong\u003e Dual-sided — fine grain front, smooth reverse — brilliant white, acid-free\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia:\u003c\/strong\u003e Watercolor, acrylic, gouache, heavy Indian ink, paint marker, soft pastel, charcoal, sketching pencil\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51779236594013,"sku":"3329680965360","price":229.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-White-Pad-A3-250g-40-sheets_All_1102_10.jpg?v=1722285707"},{"product_id":"clairefontaine-paint-on-multi-techniques-white-pad-a4-250g-40-sheets","title":"Clairefontaine Paint-ON Multi-Techniques White Pad A4 250g 40 sheets","description":"The Clairefontaine Paint-ON White A4 is the flagship format of the heavyweight Paint-ON range — 40 sheets of 250 g\/m² white cellulose paper built to handle the full spectrum of wet and dry mixed-media techniques on a single surface. The brilliant white finish maximizes pigment contrast and color accuracy across all media types. The dual-sided surface gives a fine grain face for tonal charcoal, pastel, and pencil shading, and a smooth reverse for fineliners, acrylic paint markers, and technical ink work — no tip fraying, no feathering, no bleed-through to the next sheet.\u003cbr\u003e\u003cbr\u003eAt 250 g\/m² the stock handles repeated paint layers, wet-on-dry techniques, and heavy erasing without buckling, tearing, or surface breakdown. Forty sheets in standard A4 makes this a practical daily studio pad for professional illustrators, graphic designers, art students, and life drawing practitioners. Top-glued for fray-free sheet separation. Acid-free, pH-neutral, PEFC certified.\u003cbr\u003e\u003cbr\u003eThe Essentials\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A4 — Sheet count: 40\u003c\/li\u003e\n\u003cli\u003ePaper weight: 250 g\/m²\u003c\/li\u003e\n\u003cli\u003ePaper composition: 100% cellulose\u003c\/li\u003e\n\u003cli\u003ePaper color: Brilliant white\u003c\/li\u003e\n\u003cli\u003eSurface: Dual-sided — fine grain one side, smooth the other\u003c\/li\u003e\n\u003cli\u003eBinding: Top glued — fray-free sheet separation\u003c\/li\u003e\n\u003cli\u003eRecommended media: Fine ink pen, acrylic paint marker, watercolor, gouache, charcoal, pastel, highlighting pencil\u003c\/li\u003e\n\u003cli\u003eCertification: PEFC certified — acid-free, pH-neutral\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eArtist Insights\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHow does the Paint-ON White differ from a standard watercolor pad at the same weight?\u003c\/strong\u003e Standard watercolor pads at 250 g\/m² are typically sized specifically for wet media absorption and feature a single heavily textured surface. The Paint-ON White uses a dual-sided design — fine grain on one face, smooth on the other — making it genuinely multi-technique rather than wet-media-only. It handles dry media, markers, and ink equally well alongside watercolor and gouache.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan wet and dry media be combined on the same sheet without surface interference?\u003c\/strong\u003e Yes. The 250 g\/m² cellulose base absorbs wet media cleanly without breaking down the surface fiber, meaning dry media applied over dried wet layers sits cleanly without dragging or lifting the underlying wash.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIs this pad suitable for final presentation work as well as studio practice?\u003c\/strong\u003e Yes. The acid-free, pH-neutral formula ensures long-term color and tonal stability. 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The paper is mass-dyed directly in the pulp — solid black through the full sheet thickness with no white edges when cut. Dual-sided surface gives a fine-grained tooth on one face and a smooth finish on the other. 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The 160 g\/m² extra-white cellulose stock handles graphite, charcoal, pastel, and chalk on the fine-grained face, and ink, markers, and light gouache on the smooth reverse — without pilling, tearing, or buckling under corrections. 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Thirty sheets of 160 g\/m² extra-white cellulose stock with a dual-sided surface — fine grain on the front for charcoal, chalk, pastel, and pencil work, smooth on the reverse for fineliners, calligraphy inks, felt-tip pens, and graphic markers. The heavy-duty fiber construction resists repeated erasing and scraping without pilling or surface distortion, and handles light gouache washes without significant buckling.\u003cbr\u003e\u003cbr\u003eAt A4 the format suits studio assignments, daily layout sketching, and portfolio work equally well. Top-glued binding allows clean fringe-free sheet removal. 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The 160 g\/m² weight handles light wet media — India ink, fineliners, markers, and light gouache — without significant buckling. Heavy watercolor washes with large water volumes are not recommended as the paper is not sized for full watercolor absorption.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhich side should I use for which media?\u003c\/strong\u003e The fine-grained side grips dry media like charcoal, chalk, pastel, and pencil most effectively. The smooth side is optimized for ink-based tools — fineliners, calligraphy pens, felt-tips, and graphic markers — preventing tip fraying and ink bleed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIs this pad suitable for professional portfolio work?\u003c\/strong\u003e Yes. 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The 250 g\/m² cellulose stock handles heavy acrylics, gouache, watercolor, and ink without warping or buckling — the raised grain face grips charcoal, pastel, and dry media, while the smooth reverse suits fineliners and paint markers. 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At 250 g\/m² the cellulose stock behaves closer to illustration board than standard drawing paper — remaining flat under moderate to heavy water exposure and handling overlapping layers of watercolor, acrylic, gouache, and heavy Indian ink without tearing, pilling, or warping. The dual-sided surface design gives a high-tooth grained face for dry media including pastel, chalk, charcoal, and graphite, and a flat smooth reverse for precision calligraphy, technical fineliners, and ink wash detail work.\u003cbr\u003e\u003cbr\u003eThe A4 format covers studio assignments, portfolio entries, and daily multi-media projects at a manageable scale. Top-glued binding for clean, damage-free sheet separation. 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At 250 g\/m², the Paint-ON stock is significantly thicker and more structurally rigid — closer to illustration board — giving it substantially better resistance to buckling under heavy wet media applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan full watercolor washes be applied without the paper warping?\u003c\/strong\u003e Yes. The 250 g\/m² weight handles moderate to heavy watercolor washes without significant warping. For very large pooled washes on the A4 format, allowing each layer to dry fully before applying the next minimizes any minor surface movement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhich surface side is best for mixed wet and dry work in the same piece?\u003c\/strong\u003e The grained front face works best as the primary working surface for mixed technique — the tooth grips dry media while still absorbing wet media effectively. 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The 250 g\/m² cellulose stock behaves like illustration board, handling wet and dry overlapping techniques across all six surfaces without warping or pilling. 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Fifty sheets of 90 g\/m² light-grained white paper deliver enough tooth to grip graphite and carbon pigments cleanly without resistance — fast, intuitive mark-making with consistent line clarity from first stroke to last. The top wire-O spiral binding folds the front cover completely under the pad, creating a rigid self-supporting surface suited for lap sketching in galleries, lecture halls, and outdoor locations.\u003cbr\u003e\u003cbr\u003eMicro-perforated sheets separate cleanly along the top edge without tearing or leaving paper fringe. 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