{"title":"Clairefontaine","description":"Clairefontaine har fremstillet papir i Vogeserne i Frankrig siden 1858, ved hjælp af rent lokalt flodevand, der stadig er afgørende for ren papirproduktion. Over 165 år senere fremstilles mølle og det færdige brevpapir stadig under samme tag — en af de sidste europæiske producenter, der holder hele processen internt.\u003cbr\u003e\u003cbr\u003eBrandet er bedst kendt blandt kunstnere for sine specialistoverflader — særligt Pastelmat, benchmark-papiret til blød pastel lagdeling, og PaintON, en 250 g\/m² multi-teknik papirkvalitet, der håndterer akryl, gouache, blæk og tørre medier uden at bugte sig. Tilgængeligt på tværs af flere papiртoner inklusiv Hvid, Grå, Naturel, Sort og Denim Blå. 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The brilliant white finish maximizes pigment contrast and color accuracy across all media types. The dual-sided surface gives a fine grain face for tonal charcoal, pastel, and pencil shading, and a smooth reverse for fineliners, acrylic paint markers, and technical ink work — no tip fraying, no feathering, no bleed-through to the next sheet.\u003cbr\u003e\u003cbr\u003eAt 250 g\/m² the stock handles repeated paint layers, wet-on-dry techniques, and heavy erasing without buckling, tearing, or surface breakdown. Forty sheets in standard A4 makes this a practical daily studio pad for professional illustrators, graphic designers, art students, and life drawing practitioners. Top-glued for fray-free sheet separation. Acid-free, pH-neutral, PEFC certified.\u003cbr\u003e\u003cbr\u003eThe Essentials\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A4 — Sheet count: 40\u003c\/li\u003e\n\u003cli\u003ePaper weight: 250 g\/m²\u003c\/li\u003e\n\u003cli\u003ePaper composition: 100% cellulose\u003c\/li\u003e\n\u003cli\u003ePaper color: Brilliant white\u003c\/li\u003e\n\u003cli\u003eSurface: Dual-sided — fine grain one side, smooth the other\u003c\/li\u003e\n\u003cli\u003eBinding: Top glued — fray-free sheet separation\u003c\/li\u003e\n\u003cli\u003eRecommended media: Fine ink pen, acrylic paint marker, watercolor, gouache, charcoal, pastel, highlighting pencil\u003c\/li\u003e\n\u003cli\u003eCertification: PEFC certified — acid-free, pH-neutral\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eArtist Insights\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHow does the Paint-ON White differ from a standard watercolor pad at the same weight?\u003c\/strong\u003e Standard watercolor pads at 250 g\/m² are typically sized specifically for wet media absorption and feature a single heavily textured surface. The Paint-ON White uses a dual-sided design — fine grain on one face, smooth on the other — making it genuinely multi-technique rather than wet-media-only. It handles dry media, markers, and ink equally well alongside watercolor and gouache.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan wet and dry media be combined on the same sheet without surface interference?\u003c\/strong\u003e Yes. The 250 g\/m² cellulose base absorbs wet media cleanly without breaking down the surface fiber, meaning dry media applied over dried wet layers sits cleanly without dragging or lifting the underlying wash.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIs this pad suitable for final presentation work as well as studio practice?\u003c\/strong\u003e Yes. The acid-free, pH-neutral formula ensures long-term color and tonal stability. 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Thirty sheets of 160 g\/m² extra-white cellulose stock with a dual-sided surface — fine grain on the front for charcoal, chalk, pastel, and pencil work, smooth on the reverse for fineliners, calligraphy inks, felt-tip pens, and graphic markers. The heavy-duty fiber construction resists repeated erasing and scraping without pilling or surface distortion, and handles light gouache washes without significant buckling.\u003cbr\u003e\u003cbr\u003eAt A4 the format suits studio assignments, daily layout sketching, and portfolio work equally well. Top-glued binding allows clean fringe-free sheet removal. Acid-free, pH-neutral, and PEFC certified — color stability is maintained over time without yellowing.\u003cbr\u003e\u003cbr\u003eTechnical Details\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A4 — Sheet count: 30\u003c\/li\u003e\n\u003cli\u003ePaper weight: 160 g\/m²\u003c\/li\u003e\n\u003cli\u003ePaper color: Extra-white\u003c\/li\u003e\n\u003cli\u003eSurface: Dual-sided — fine grain front, smooth reverse\u003c\/li\u003e\n\u003cli\u003eBinding: Top glued — fringe-free sheet separation\u003c\/li\u003e\n\u003cli\u003eRecommended media: Pencil, charcoal, chalk, pastel, fineliner, calligraphy ink, felt-tip, marker, light gouache\u003c\/li\u003e\n\u003cli\u003eCertification: PEFC certified — acid-free, pH-neutral\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eCommon Questions\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan this pad handle both dry and wet media in the same composition?\u003c\/strong\u003e Yes, within limits. The 160 g\/m² weight handles light wet media — India ink, fineliners, markers, and light gouache — without significant buckling. Heavy watercolor washes with large water volumes are not recommended as the paper is not sized for full watercolor absorption.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhich side should I use for which media?\u003c\/strong\u003e The fine-grained side grips dry media like charcoal, chalk, pastel, and pencil most effectively. The smooth side is optimized for ink-based tools — fineliners, calligraphy pens, felt-tips, and graphic markers — preventing tip fraying and ink bleed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIs this pad suitable for professional portfolio work?\u003c\/strong\u003e Yes. The acid-free, pH-neutral paper ensures long-term color and tonal stability, and the extra-white surface provides accurate color reproduction for both scanning and physical presentation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51782998131037,"sku":"3329689750271","price":139.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Cray-ON-Multi-Techniques-Pad-A4-160g-30-sheets_All_5363_4.jpg?v=1722303946"},{"product_id":"clairefontaine-cray-on-multi-techniques-pad-a5-160g-30-sheets","title":"Clairefontaine Cray-ON Multi-Techniques Pad A5 160g 30 sheets","description":"A compact travel-ready mixed-media pad with the same 160 g\/m² dual-sided stock as the larger Cray-ON formats. Fine grain on one face for dry media, smooth on the other for ink and markers — handles light gouache accents without buckling. 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At 250 g\/m² the cellulose stock behaves closer to illustration board than standard drawing paper — remaining flat under moderate to heavy water exposure and handling overlapping layers of watercolor, acrylic, gouache, and heavy Indian ink without tearing, pilling, or warping. The dual-sided surface design gives a high-tooth grained face for dry media including pastel, chalk, charcoal, and graphite, and a flat smooth reverse for precision calligraphy, technical fineliners, and ink wash detail work.\u003cbr\u003e\u003cbr\u003eThe A4 format covers studio assignments, portfolio entries, and daily multi-media projects at a manageable scale. Top-glued binding for clean, damage-free sheet separation. Acid-free, pH-neutral, and PEFC certified for long-term archival stability.\u003cbr\u003e\u003cbr\u003eTechnical Details\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A4 — Sheet count: 20\u003c\/li\u003e\n\u003cli\u003ePaper weight: 250 g\/m²\u003c\/li\u003e\n\u003cli\u003ePaper composition: 100% cellulose\u003c\/li\u003e\n\u003cli\u003ePaper color: Extra-white\u003c\/li\u003e\n\u003cli\u003eSurface: Dual-sided — raised grain front, smooth reverse\u003c\/li\u003e\n\u003cli\u003eBinding: Top glued — clean tear, no fraying\u003c\/li\u003e\n\u003cli\u003eRecommended media: Watercolor, acrylic, gouache, heavy Indian ink, fineliner, charcoal, soft pastel, colored pencil\u003c\/li\u003e\n\u003cli\u003eCertification: PEFC certified — acid-free, pH-neutral\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eCommon Questions\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHow does the 250 g\/m² weight compare to standard drawing pads?\u003c\/strong\u003e Standard multi-technique pads typically run between 90–160 g\/m². At 250 g\/m², the Paint-ON stock is significantly thicker and more structurally rigid — closer to illustration board — giving it substantially better resistance to buckling under heavy wet media applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCan full watercolor washes be applied without the paper warping?\u003c\/strong\u003e Yes. The 250 g\/m² weight handles moderate to heavy watercolor washes without significant warping. For very large pooled washes on the A4 format, allowing each layer to dry fully before applying the next minimizes any minor surface movement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhich surface side is best for mixed wet and dry work in the same piece?\u003c\/strong\u003e The grained front face works best as the primary working surface for mixed technique — the tooth grips dry media while still absorbing wet media effectively. 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The 250 g\/m² cellulose stock behaves like illustration board, handling wet and dry overlapping techniques across all six surfaces without warping or pilling. 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Four sheets each of White Fine Grain, White à Grain, Grey, Natural\/Sand, Noir\/Black, and Denim Blue, all on 250 g\/m² cellulose stock that stays flat under watercolor, gouache, and acrylic in the field. 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The 250 g\/m² cellulose stock is mass-dyed through the full sheet thickness — solid black with no white edges when cut, fully resistant to buckling under heavy wet media. Fine grain on one face for chalk, pastel, and colored pencil, smooth on the other for ink and paint markers. 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The 250 g\/m² cellulose stock stays flat under heavy wet media — black charcoal and ink drop into shadow, white chalk and gouache lift into highlight, straight from the first mark. Fine grain one face for dry media, smooth reverse for ink and markers. 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The sand coloration runs solid through the full sheet thickness — no white edges when cut, no surface flaking. The pre-established buff mid-tone lets dark shadows and bright highlights read with immediate depth from the first mark. Top-glued, PEFC certified.","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51783048298845,"sku":"3329680965438","price":505.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Paint-ON-Multi-Techniques-Naturel-Pad-A2-250g-30-sheets_All_5372_4.jpg?v=1722304061"},{"product_id":"clairefontaine-brown-kraft-a3-sketch-pad","title":"Clairefontaine Brown Kraft A3 Sketch Pad","description":"The Clairefontaine Brown Kraft A3 Sketch Pad puts 50 sheets of unbleached long-fiber kraft paper in a spacious A3 format. The warm brown tone acts as a pre-established mid-tone — black charcoal and dark graphite drop into deep shadows while white chalk, gel pen, or pastel highlights pop immediately against the natural background, without needing to lay down a base layer first. The ribbed laid texture (vergetures) grips dry media well and adds subtle organic character to finished work.\u003cbr\u003e\u003cbr\u003eAt 90 g\/m2 the paper is lightweight but durable thanks to its unbleached long-fiber construction — it handles heavy shading, repeated erasing, and layered dry media without tearing or pilling. Not suited for wet media like watercolor or heavy ink washes. Top-glued binding allows clean sheet removal without damaging adjacent pages. 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The warm brown mid-tone lets you work immediately with contrast media — black charcoal builds deep shadows, white gel pen or chalk pulls out highlights, and the natural paper tone handles the mid-range values in between, without laying down a base layer first. Top-glued binding for clean sheet removal, 90 g\/m2 long-fiber construction for solid durability. PEFC certified and chlorine-free.\u003cbr\u003e\u003cbr\u003eQuick Specs\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A4 — Sheet count: 50 — Weight: 90 g\/m2\u003c\/li\u003e\n\u003cli\u003eSurface: Ribbed laid texture (vergetures)\u003c\/li\u003e\n\u003cli\u003eBinding: Top glued — clean tear, no fringe\u003c\/li\u003e\n\u003cli\u003eMedia: Graphite, charcoal, colored pencil, pastel, white gel pen, fineliner\u003c\/li\u003e\n\u003cli\u003eCertification: PEFC certified, unbleached, chlorine-free\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eArtist Insights\u003cbr\u003e\u003cul\u003e\u003cli\u003e\n\u003cstrong\u003eIs A4 a good size for portfolio and assignment work?\u003c\/strong\u003e Yes. A4 is the standard format for most portfolio presentations, design briefs, and studio assignments — easy to scan, photograph, and store alongside standard documents.\u003c\/li\u003e\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51784664088925,"sku":"3329680965452","price":105.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Brown-Kraft-A4-Sketch-Pad_All_719_5.jpg?v=1718409866"},{"product_id":"clairefontaine-brown-kraft-a5-sketch-pad","title":"Clairefontaine Brown Kraft A5 Sketch Pad","description":"Compact, durable, and distinctly textured — the Clairefontaine Brown Kraft A5 is a pocket-friendly sketching pad for urban sketching, quick thumbnails, and travel journaling. Fifty sheets of unbleached 90 g\/m2 kraft paper with ribbed laid texture, top-glued for clean sheet removal. The warm brown surface handles heavy pencil shading and erasing well for its size and weight class.\u003cbr\u003e\u003cbr\u003eQuick Specs\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFormat: A5 — Sheet count: 50 — Weight: 90 g\/m2\u003c\/li\u003e\n\u003cli\u003eSurface: Ribbed laid texture (vergetures)\u003c\/li\u003e\n\u003cli\u003eBinding: Top glued\u003c\/li\u003e\n\u003cli\u003eMedia: Graphite, charcoal, colored pencil, pastel, white gel pen, fineliner\u003c\/li\u003e\n\u003cli\u003eCertification: PEFC certified, unbleached\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cul\u003e\u003cli\u003e\n\u003cstrong\u003eWhat fits in an A5 kraft pad?\u003c\/strong\u003e Thumbnail sketches, composition studies, travel journaling, urban sketching, and quick field notes. The compact size slips easily into a backpack or field kit alongside other drawing tools.\u003c\/li\u003e\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51784664482141,"sku":"3329680965445","price":55.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Brown-Kraft-A5-Sketch-Pad_All_720_5.jpg?v=1718409876"},{"product_id":"clairefontaine-sketchbook-a3","title":"Clairefontaine Sketchbook A3","description":"A large-format spiral-bound sketch pad built for studio assignments, life drawing, and broad gestural work. Fifty sheets of light-grained 90 g\/m² white paper with just enough tooth to grip graphite, charcoal, and dry pastels cleanly. The top wire-O twin ring binding opens completely flat and folds back on itself for a rigid self-supporting workspace. Micro-perforated sheets tear away cleanly without fringe. Acid-free, pH-neutral.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e A3 — 50 micro-perforated sheets — 90 g\/m²\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Top wire-O twin ring spiral with stiff cardboard backing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia:\u003c\/strong\u003e Graphite, charcoal, dry pastel, chalk, sanguine, fineliner, felt-tip\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51784664940893,"sku":"3329680969023","price":179.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Sketchbook-A3_All_706_5.jpg?v=1718409886"},{"product_id":"clairefontaine-sketchbook-a4","title":"Clairefontaine Sketchbook A4","description":"The Clairefontaine A4 Sketch Pad is a practical daily studio workhorse for students, illustrators, and design professionals who need a reliable, portable sketching surface across a wide range of dry media. Fifty sheets of 90 g\/m² light-grained white paper deliver enough tooth to grip graphite and carbon pigments cleanly without resistance — fast, intuitive mark-making with consistent line clarity from first stroke to last. The top wire-O spiral binding folds the front cover completely under the pad, creating a rigid self-supporting surface suited for lap sketching in galleries, lecture halls, and outdoor locations.\u003cbr\u003e\u003cbr\u003eMicro-perforated sheets separate cleanly along the top edge without tearing or leaving paper fringe. 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Heavy alcohol-based markers may show slight bleed-through to the sheet below — for marker-heavy workflows, a heavier stock like the 160 g\/m² Cray-ON or 250 g\/m² Paint-ON range is recommended.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDoes the spiral binding allow left-handed use without obstruction?\u003c\/strong\u003e Yes. The top-bound wire-O spiral sits along the top edge of the pad rather than the side, making it equally comfortable for both left and right-handed users with no spiral obstruction during drawing.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51784668086621,"sku":"3329680969047","price":92.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Sketchbook-A4_All_707_5.jpg?v=1718409897"},{"product_id":"clairefontaine-sketchbook-a5-90-gsm","title":"Clairefontaine Sketchbook A5, 90 gsm","description":"Format: A5 — 100 micro-perforated sheets — 90 g\/m²\u003cbr\u003eBinding: Top wire-O twin ring spiral\u003cbr\u003eMedia: Pencil, charcoal pencil, fineliner, pocket ink pen, calligraphic marker, travel color marker\u003cbr\u003e\u003cbr\u003eDouble the sheet count of the larger formats in a pocket-friendly footprint — the A5 Sketch Pad is built for daily thumbnail work, travel journaling, and urban sketching. Light-grained 90 g\/m² white paper grips dry media cleanly. Micro-perforated sheets tear away without fringe. Acid-free, pH-neutral.","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51784671953245,"sku":"3329680966060","price":92.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Sketchbook-A5-90-gsm_All_708_5.jpg?v=1718409908"},{"product_id":"clairefontaine-tracing-paper-pad-a3","title":"Clairefontaine Tracing Paper Pad A3","description":"Professional-grade translucent tracing paper in a large architectural format. Fifty sheets of 70\/75 g\/m² satin-finish paper with high uniform clarity — accepts technical drawing inks, rapidographs, and hard graphite cleanly without feathering or bleed. Scratch and erase resistant without tearing. Top-glued for clean sheet extraction. Acid-free, biodegradable, recyclable.\u003cbr\u003e\u003cbr\u003eFormat: A3 — 50 sheets — 70\/75 g\/m²\u003cbr\u003eSurface: High-transparency satin finish — UV stable, acid-free, lightfast\u003cbr\u003e\u003cbr\u003eGood to Know\u003cbr\u003e\u003cul\u003e\u003cli\u003e\n\u003cstrong\u003eIs this pad compatible with Indian ink and rapidograph pens?\u003c\/strong\u003e Yes. The hard non-porous satin surface accepts Indian drawing inks and rapidograph technical pens cleanly without feathering, spreading, or resisting ink flow.\u003c\/li\u003e\u003c\/ul\u003e","brand":"Clairefontaine","offers":[{"title":"Default Title","offer_id":51785106129245,"sku":"3329680965018","price":290.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0873\/4405\/4621\/files\/Clairefontaine-Tracing-Paper-Pad-A3_All_710_5.jpg?v=1718412129"},{"product_id":"clairefontaine-tracing-paper-pad-a4","title":"Clairefontaine Tracing Paper Pad A4","description":"Fifty sheets of 70\/75 g\/m² high-transparency satin tracing paper in the standard studio format. The non-porous surface accepts technical drawing inks, fineliners, calligraphy pens, and hard graphite without feathering or bleed — clean enough for logo development, animation cell overlays, and ink work layered over structural pencil grids. 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